
Last night’s show was a blow-away. Despite the fact that there were three of those women who tend to get too impacted by music sitting in front of us (waving their hands and grooving away), I sat in that third row and just watched and listened to the entire show, amazed. Normally, when people say these things I just want to roll my eyes, but I guess there’s something about hearing some of your favourite songs live that changes things. Maybe not because you’re hearing it from the musician; you’re experiencing it, too.
Matt’s opening act was a band called The Spades from Peterbourough, Ontario, who weren’t exactly my normal cup of tea for music, but they were quite a feat, nonetheless. The lead guitarist was some kind of wonderful, and as a group, they worked together amazingly well. At one point during their show, they did this long instrumental bit, and it was so intense to watch. Jon and I were just blown away, and, during the intermission, we bought their CD. A song that Jon really enjoyed was “The Next Round”, which reminded Jon a lot about his days in Princeton. That’s what small-town songs do, I guess.
When Matthew Good came on, he started off with “Champions of Nothing”, which is the ten-minute opening track of Hospital Music that just grabs you by the throat and doesn’t let you down again until a few seconds after it’s over. And yet, you’re let go, unharmed. Hearing it live was just experiencing that same feeling over, tenfold. Most of the night’s songs were from Hospital Music, which I appreciated, but Matt also threw in some unexpected songs in there, one of which was “Blue Skies Over Bad Lands”. That song has always been one of my silent favourites, and hearing it live was such a treat.
Between songs, while taking a break for some water, Matt would take a while to make comments and whathaveyou. I never knew that he was such a sense of humour. I always knew that he could make a joke, but he was just damn entertaining.
My favourite songs of the night, aside from the ones I already mentioned, were “99% Of Us Is Failure”, “Weapon”, and “Born Losers”. After the encore, the band came back onstage for three more songs, the first of which included Beautiful Midnight’s “Giant”, as well as a new song, and the night’s closer, “Girl In The War”. After the show, Jon and I pulled the whole obsessed fan move and waited outside of Matt’s bus with a few other people for photos and autographs. I’m assuming that he wasn’t feeling very well, considering that he stayed inside of the bus and was in his pajama pants at the time, which is alright. Earlier during his tour, he mentioned something about not feeling well on his blog, so I wouldn’t think of him as being an ass for it.
The last time I ever waited backstage after a concert was when Heather and Rachael and Louise and I had free tickets to Kalan Porter, and for some stupid reason Rachael and Heather really wanted to see him. And so we waited amongst a bunch of twelve-year-old yuppies and their scary moms for him to come out. We waited for ages. And Kalan did come out, everybody started screaming and his bodyguards threw out some pre-signed pictures and Kalan went into the bus and that was that. Thank God the people I was around were much more sober in their obsession; not that I expected them to go nuts.
So one by one we went into the bus and had our photo taken and an autograph signed. I bought in my Hospital Music CD and got him to sign that. Then I had a picture taken and that was that, really. There was not intimate conversation or anything. I don’t know why. I’m sure it may have had something to do with him not feeling well, or perhaps he just didn’t want to deal with fans at the time. That’s fine, because I can easily picture myself being sick of fans left right and centre if I was remotely famous in some way.
Needless to say, it was grand. That’s the only way that I can really put it. Sometimes pictures just work better anyway:
